The Living Thing / Notebooks :

Remix and copyright

“Everything is a remix”. The artistic side of intellectual property Dem bow, white lines, Amen break. Soundclash. Versioning. Detournement. Culture jamming. DRM, chip ownership.

Related: transcoding.

Refs

BoEM09
Bown, O., Eldridge, A., & Mccormack, J. (2009) Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects. Organised Sound, 14(2), 188–196.
DHGW12
Dittmar, C., Hildebrand, K. F., Gaertner, D., Winges, M., Muller, F., & Aichroth, P. (2012) Audio forensics meets Music Information Retrieval—A toolbox for inspection of music plagiarism. In Signal Processing Conference (EUSIPCO), 2012 Proceedings of the 20th European (pp. 1249–1253). IEEE
EtZi14
Etherington, B., & Zimbler, J. (2014) Field, material, technique: On renewing postcolonial literary criticism. The Journal of Commonwealth Literature, 21989414538435.
HeSu08
Hemphill, C. S., & Suk, J. (2008) Remix and cultural production. Stan. L. Rev., 61, 1227.
Henr08
Henriques, J. (2008) Sonic diaspora, vibrations, and rhythm: thinking through the sounding of the Jamaican dancehall session. African and Black Diaspora: An International Journal, 1(2), 215–236. DOI.
Henr11
Henriques, J. (2011) Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing. . Bloomsbury Publishing USA
Less04
Lessig, L. (2004) Free (ing) culture for remix. Utah L. Rev., 961.
Less08
Lessig, L. (2008) In defense of piracy. Wall Street Journal, 11.
Mann11
Mann, L. (2011) Decolonizing Networked Technology - Learning from the Street Dance (SSRN Scholarly Paper No. ID 1885777). . Rochester, NY: Social Science Research Network
MaMa06
Manuel, P., & Marshall, W. (2006) The riddim method: aesthetics, practice, and ownership in Jamaican dancehall. Popular Music, 25(3), 447–470. DOI.
Mars06a
Marshall, W. (2006a) Bling-Bling for Rastafari: How Jamaicans deal with Hip-Hop. Social and Economic Studies, 49–74.
Mars08
Marshall, W. (2008) Dem Bow, Dembow, Dembo: Translation and Transnation in Reggaeton. Lied Und Populäre Kultur / Song and Popular Culture, 53, 131–151.
MaBe12
Marshall, W., & Beaster-Jones, J. (2012) It takes a little lawsuit: The flowering garden of Bollywood exoticism in the age of its technological reproducibility. South Asian Popular Culture, 10(3), 249–260. DOI.
Mars06b
Marshall, W. G.(2006b) Routes, Rap, Reggae: Hearing the Histories of Hip-Hop and Reggae Together. . UNIVERSITY OF WISCONSIN-MADISON
Murr09
Murray, L. J.(2009) RIP: A remix manifesto. Culture Machine, June.
ObFi06
O’Brien, D. S., & Fitzgerald, B. F.(2006) Mashups, remixes and copyright law. Internet Law Bulletin, 9(2), 17–19.
Paul13
Paulraj, K. D.(2013) Jamaica Brasileira: The politics of reggae in Sao Luis, Brazil, 1968-2010. . University of Pittsburgh
Reid12
Reid, R. (2012) Year zero: a novel. (1st ed.). New York: Del Rey Ballantine Books
Stur12
Sturm, B. L.(2012) A survey of evaluation in music genre recognition. In International Workshop on Adaptive Multimedia Retrieval.