A.k.a the efficient arts hypothesis.
The “suck fairy”. “Too Soon”.
Douglas Adams once said there was a theory that if anyone ever understood the Universe, it would disappear and be replaced by something even more incomprehensible. He added that there was another theory that this had already happened.
These sorts of things – things such that if you understand them, they get more complicated until you don’t – are called “anti-inductive”.
Silent Majority Music:
Music styles that, like hip-hop, are connected to some kind of grass roots, are fluid, with constant incremental changes building into epochal ones. When they move from their base audience, it’s often because a particular conjuncture of sounds resonates with a new crowd. But here is where a kind of misrecognition occurs: for the neophytes, the style is this one way, frozen in time. The give and take between music makers and their core followings, the push and pull, ebb and flow that built disco, hip-hop, house, reggaeton, and so on, is interrupted by listeners who in their enthusiasm don’t always understand the history or sociology of their genres. They don’t have to: when music becomes a commodity, it can travel worldwide, as all commodities do, severed from any knowledge of the conditions of its production. Genres cease to be grassroots social worlds, and instead become something more like brands: mere sonic surfaces rather than deep historical processes.